I couldn't decide if he was deliberately lisping at times in "Music of the Night" or if the mask was constricting his mouth. These make lots of difference to the quality of viewing! ____________________. Bromley My boyfriend did say his knees hurt from no leg room, although this was not a problem for me as Im shorter. She doesn't look like a young girl at all but more like a witch, especially when she sings. The rest of the time he sings in a low-level, half-speaking-half-singing manor that I find most unsatisfying, if not actually irritating (as someone hoping to see great singing). During the second I saw Katie Hall. (Having watched the 25th anniversary DVD multiple times, I like to think I know every nuance and they just didn't have it yesterday). Gee Colin. Nobody accuses "Madam Butterfly" or "Carmen" of being out of date because their musical styles are obsolete. This was the first show I ever saw in the West End and that is always an exciting time for anyone. The whole cast were fantastic but this man is one to watch. Series Dedication The Red Gambit series of books is dedicated to my grandfather, the boss-fellah, Jack 'Chalky' White, Chief Petty Officer [Engine Room] RN, my de facto father until his untimely death from cancer in 1983, and a man who, along with many millions of others, participated in the epic of history that we know as World War Two . Best seats are stalls row J 26 and 27. London SW1Y 4QL In this instance they use height and there were some exciting moments! Plenty of leg room, being in the walkway. Being so close has some advantages. The cast is completed by Hollie Aires, Connor Carson, Corina Clark, Michelle Cornelius, Edward Court, Lily De-La-Haye, Hywel Dowsell, Serina Faull, James Gant, Eilish Harmon-Beglan, Emma Harris, Yukina Hasebe, Thomas Holdsworth, Olivia Holland-Rose, Jacob Hughes, Grace Hume, James Hume, Tim Morgan, Michael Robert-Lowe, Eve Shanu-Wilson, Tim Southgate, Anouk Van Laake, Jasmine Wallis, Ralph Watts, Skye Weiss, Simon Whitaker, Lizzie Wofford and Andrew York. The legroom in E12 and E13 is very poor indeed and I would not sit in the Upper Circle again - although the view was acceptable, it wasn't brilliant (although you do get up close and personal with the Phantom when he's up to mischief way above the stage). I have seen this show about 4-5 times over the years and I for one was moved to tears by his performance. Another flexible space, this one is rarely set up the same way twice, so choosing the best seats can be a bit of a crapshoot. Paige Blankson will be the alternate Christine Daa, playing the role at certain performances. Her Majesty's Theatre. The seats looked quite new and were very comfy. I think the connection between Ramin and Robyn is very electric and sexy. Not only was this happening but I was leaning to the right (luckily it was towards my friend in seat G1) which made my right leg dangle lower than my left one!! During the first performance I saw Sofia Escobar in the role of Christine Daa and she was truly outstanding, with the most beautiful voice. My favourite song being 'Prima Donna,' I cannot understand how not since Rosemary Ashe in the original cast have I ever seen or heard anyone better. How to find cheap and discount price tickets, Tips for First Time and Overseas Visitors, http://www.thephantomoftheopera.com/london, https://www.facebook.com/ThePhantomOfTheOpera, https://uk.thephantomoftheopera.com/day-tickets/, https://www.lovetheatre.com/theatremonkey. I was very shocked to read Paul Johnsons review of Phantom, notably his opinion/attack on Mr McCann. The balcony seats tend to be pretty high up, but they might be the best choice for the budget-conscious. You may also get moved to a better seat if the auditorium isnt full! They afford some brief, but generally pleasant, glimpses of his habits and career; and in a letter, in which Pliny makes application on behalf of his friend to the emperor Trajan, for a mark of favour, he speaks of him as "a most . I did enjoy the first half more than the second - I found a couple of the scenes in the second half overly long really. If you want to see upbeat and twee dance numbers choreographed to perfection I can give you directions to the Adelphi! Edward Bernstone I LOVED IT!!! There is nothing wrong with the first few rows of the stalls, but the dress is the place to be. West Midlands. Worst of all - missed the final part of the lair when, for all Id have know, Phantom could have just sauntered off stage!! Not dreadful but certainly not worth 25 in any way shape or form. I have ended up with bruises on my knees due to no leg room at all very disheartening due to paying 60 for tickets. The spectacular staging always dazzles, and the score throbs emotion throughout. we laughed out loud because that summed up perfectly our experience at Her Majestys Theatre. I always though opera was amazing but this performance truly wins. This means there are no curves, and no sightline issues at all. When the chandelier lifted up to the ceiling over our heads and the music started I unashamedly cried. The seats were quite good, offered great value for money. UK I'd recommend this seat, even for a first timer, as long as they are not a grump, and are a theatre fan who doesn't mind a really close view with a bit of a restriction. That said, it did take some time for me to get to "know" the central characters - so to speak - but we were in the Upper Circle and I think you always get wrapped-up in things a lot quicker when sat down in the Stalls. We all thoroughly enjoyed the show andwhen the crowds had dispersed the staff bought out our wheelchair and had a good old natter with nanny asking herwhat she thought of the performance. and long legs although some shifting was required occasionally. I will say it is hard to decide where the good seats are. Legroom was adequate for two 5' 10" people, one with a larger than average bottom (!) There is overhang from the Circle but with the (new) Phantom staging its not cutting out anything. I had no idea such incredible music could be ruined so easily. More legroom than I expected (still not much, but couldve been worse). That said though, the songs that we all know (and love?) the special effects were among the best I have ever seen in a theatre, the music and the acting - I loved every minute of it. Yes, it looks great and familiar tunes always make for an easier evening out, but why does all the emotion have to be so overblown? InterContinental (IHG) Hotels in Melbourne. After one emotional rollercoaster of a show ('Ghost') I went on to my next, Phantom. NB not holiday or "peak" time. While its largely true of all the big venues, its especially true of the Princess: those back rows of the grand circle (the top level) are ludicrously high, and watching a show from them feels like peering at an ant colony from a helicopter. Port Talbot I wanted to experience a West End show as even at only 24, I saw it as one of those things you have to do sometime in your life. Despite what theatremonkey says, to see the theatre sold out on a Monday night in July proves how good the show is. So go see the show. Excellent seats. This is not the Andrew Lloyd Webber / Sarah Brightman Story because occasionally the musician also bursts into song. The roles of Christine and the Phantom really are quite demanding and emotional and at the end I actually felt sympathy for the poor old Phantom and was left wondering what would happen to him. J Middleton of Sheffield But at least youll hear every note. The show started on time and approximately 5 minutes later, approximately 25 latecomers arrived separately in small groups and were seated in with ushers along the Grand Circle. The gentleman that previously wrote in the defence of Raoul lacking charisma is so correct in what he says, yes this is how Raoul is supposed to beI think that those who slate POTO have no appreciation for this form of entertainment which is absolutely fine as we all have different tastes but hey just admit that its not for you, there's no need to rip it apart.take note Theatre ____________________. When the actors sang on stage is sometimes was hard to hear, and when the actors sang off stage or a recording was playing it was much louder, so they either make the sound louder when the onstage or quieter when they are off. Chris Rouse. Unfortunately - 50 is rather a stiff price to pay to see such a good performer. For once theatremonkey I think you are wrong. The music and pure voices bring a lump to your throat and the way that the sets change around to create the different scenes is amazing. This is the third time I've seen POTO, and each time the ending keeps the relentless pace, and the huge contrast of feelings - sensational! As soon as Rachel began to sing her first solo of the evening I got that same feeling I did as the music began, although this time more intense. Al
[email protected]. I wish this cast all the best for the rest of their contract, and I hope to see it again soon. Visited 25th February 2014: evening performance. Tiny (child sized it appeared), and old - they leave you aching by the end of the performance. The set and special effects are also amazing. And that we could "have a look around" for any empty seats and change .Given the show was about to begin this wasn't't very useful to us. Both Ben Forster as the Phantom and Celinde Schoenmaker as Christine were superb in their roles with powerful singing voices and there was definitely a strong rapport between them. _____________________________________________. The show is fresh again and it's definitely worth the ticket price. The big disappointment was Katie Knight Adams, I have never seen someone sing and act so badly on stage (and I have seen many shows). When I went to pick up the tickets, there was a rehearsal going on which you could hear from the foyer. Her Majesty's Theatre has a special offer if you PREBOOK with Secure Parking, 59 Lonsdale St, Melbourne. read more, His Majesty's is a lovely old Theatre. Enjoy amenities such as VIP entrance, parking, club access and more Need Help? The kids loved it and want to see it again for their next birthday, but personally Phantom had lost some of it's magic. Home - Random Browse: THE MIRROR OF TASTE, AND DRAMATIC CENSOR. We disagree. Grand Historical Tour. The seat is sold as restricted view and restricted legroom. I had booked row E seat 1 of the royal circle for that night's performance as I had been wanting to see Katie Hall as Christine for AGES - and I was also pleased at the thought of seeing John Owen Jones as the Phantom, as I had previously seen the two actors in the 'Les Mis' tour last year. When we bought the tickets I wasn't that excited. 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